Golusu, also known as anklets or salangai, are an integral part of a Bharatanatyam dancer’s attire. These ankle bells are more than just ornaments—they are deeply symbolic and essential to the performance, adding rhythm and enhancing the auditory experience for both the dancer and the audience. The sound of the golusu brings the dance to life, synchronising with the dancer’s intricate footwork and elevating the overall experience of the performance.
Traditionally made of metal, often brass or copper, golusu consists of rows of small bells attached to a leather or cloth strap that is tied around the dancer’s ankles. As the dancer performs, every step, stamp, or movement of the feet is accompanied by the ringing of the bells. This rhythmic sound creates a connection between the dancer’s movements and the beats of the accompanying music. In Bharatanatyam, where precise footwork plays a crucial role, the golusu adds a layer of auditory rhythm that complements the visual aspect of the dance.
Golusu also holds cultural significance. Wearing them is considered an important ritual for a dancer, and receiving one’s first pair is often seen as a milestone in their dance journey. It marks the dancer’s progress and readiness to take on more complex performances. The sound of the golusu is not just for the audience but also serves as a guide for the dancer, helping them stay in sync with the rhythmic patterns of the dance, known as tala.
The ankle bells are also a part of the spiritual dimension of Bharatanatyam. In the past, dancers performed in temples as an offering to the gods, and the sound of the golusu was considered an invocation of divine energy. Even today, many dancers see the act of tying the golusu before a performance as a moment of reverence, signaling their readiness to transform the stage into a sacred space.
In essence, the golusu is a symbol of dedication, rhythm, and tradition, resonating with the rich history and spiritual depth of Bharatanatyam. Its jingling sound is more than a musical accompaniment—it’s the heartbeat of the dance itself.